Abbey Road Orchestra: High Percussion Core

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Elevate your grooves with vibrant detail

Remarkable clarity and intricate performances using 62 different percussive instruments. Abbey Road Orchestra High Percussion provides an exquisite range of high-end percs, from the crisp snap of three pristine snare drums, captured with meticulous attention to detail, to congas, timbales, rototoms and more to bring your rhythms to life. The Core version offers the full suite of instruments, techniques and articulations, concentrating on one essential microphone mix that locks the incredible sound of Abbey Road Studio One into your grooves.

Engineered by GRAMMY® -Award-winner Simon Rhodes (Skyfall, Avatar) and performed by virtuoso percussionist Joby Burgess, whose credits include blockbuster scores like Black Panther, The Avengers and The Batman, video games such as Indiana Jones and performances on dancefloors from from Wembley Stadium to Berghain, this library captures the realism of each drum, performed with multiple techniques over the full dynamic range.

Regular price ₹ 8,250.00
Regular price Sale price ₹ 8,250.00
Sale Sold out
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What's Included

Tech Specs

Mac system requirements

Mac OS X 10.15 to OS 14 Minimum: 2.8GHz i5 minimum (quad-core), 8GB RAM Recommended: 2.8GHz I7 (six-core), 16GB RAM Both Intel and Apple Silicon/ARM are supported 32-bit systems are not supported.

PC system requirements

Windows 10 or Windows 11 - (Latest Service Pack, 64-bit) Minimum: Intel 2.8 GHz i5 (quad-core) or AMD Ryzen 5, 8GB RAM Recommended: Intel Core i7 6th gen and later or AMD Ryzen 7, 16GB RAM 32-bit systems are not supported.

File size

11.9 GB download size

13 GB disk space required during install

Walkthrough

RHYTHMIC FUNDAMENTALS

DEEPLY SAMPLED FOR REALISTIC DYNAMICS

Up to 12 round robins and 10 velocity layers deliver unrivalled realism in this suite of orchestral and indigenous drums. Extremely responsive and highly tactile, Low Percussion explores the timbral and textural range of 20 drums, with up to seven beater options per drum, performing hits, rolls, swirls and sweeps sampled in incredible detail. All performed by virtuoso percussionist Joby Burgess.

HIGH FIDELITY

This untuned percussion library will expand your percussive palette, with a range of highly tactile instruments — a true to life selection especially curated and performed by Joby Burgess that provides an immediate natural feel, sounding authentic and cinematic.


High Percussion re-emphasises the nuanced features of Low Percussion, demonstrating their dynamic responsiveness. Soft takeover, voice choking and two handed mapping all allow for an instinctive and gratifying performance. Expertly captured by Grammy-winning engineer Simon Rhodes (Skyfall, Avatar), High Percussion offers an agile, responsive and intuitive experience.

UNPARALLELED REALISM

Professional

Hear every strike in pristine detail with Abbey Road Orchestra: Percussion Professional. Take full control of your sound with 16 different microphone signals to sit perfectly in the mix in any professional recording.
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ABBEY ROAD STUDIOS

Studio One: Icon of the past, innovator for the future.
A host to celebrated classical recordings from Elgar to Prokofiev, as well as iconic film scores from The Lord Of The Rings Trilogy*, The Empire Strikes Back*, and more recent releases Avengers: End Game and Black Panther, Studio One is one of the most in-demand recording studios in the film scoring landscape. Home to one of the greatest in-house collections of vintage and modern microphones and a control room fitted with a 72-channel Neve 88 RS console with a unique and comprehensive surround monitor section, Studio One was the perfect setting for our recording sessions, meticulously curated, recorded and programmed to deliver you the world's most detailed sampling orchestra.

"The opportunity to perfect every strike and roll in the glorious acoustic of Studio One was not missed and we took time to make the best microphone choices and hone their positions."

Simon Rhodes, Senior Engineer, Abbey Road Studios

Decades of expertise

This library has been formed by some of the world’s best producers in music recording, created for professional composers of film, television, game and performance.

Joby Burgess

Black Panther, Mission: Impossible

One of Britain’s most diverse percussionists, Joby is equally at home performing with Peter Gabriel at Red Rocks Amphitheatre and The Who at Wembley Stadium as reimagining Blade Runner at Sydney Opera House and Ibiza Classics at the Royal Albert Hall. Joby’s playing can be heard on major film and TV scores, notably leading the percussion sections on the Black Panther and Ant-man franchises, Spirited, The Harder They Fall, Rocketman, Ad Astra, The Darkest Hour, Obi-Wan Kenobi and Doctor Who.

Simon Rhodes

Titanic, Skyfall

Simon joined the EMI Abbey Road Studios in 1987. He is now Senior Engineer and has a long standing association with various composers including the late James Horner with whom he worked for 18 years on over 40 projects including Avatar, one of the highest grossing films of all time.

Testimonials

This new library is OUTSTANDING. The biggest compliment I can pay to ANY library is if any of it makes it into my main templates. Well I spent yesterday replacing ALL of my orchestral percussion libraries with a combo of the High/Low libraries.

Ty Unwin, Composer

While there are many other percussion sample libraries on the market, High Percussion provides a number of unique aspects. First and foremost it gives you access to the sound of Abbey Road Studio One. Second, it provides a level of detail that allows you to create realistic performances that (if programmed correctly) will be indistinguishable from the real thing.


Digifreq

I really feel like I'm in the control room of Abbey Road listening to a percussionist tracking in the live room. The playability is also first rate, with clear sample mapping, and the included mix presets are very handy for switching between a bigger, more open sound, and a smaller, more intimate one.

Dan Diaz, Composer

It's a great library! I was about to start using it on some mockups for a new project. Sounds very live and intuitive to work with.


Ruth Barrett, Composer
(Bodyguard, The Terminal List)

I have indeed enjoyed the library and have to congrats the whole team for this development. I really haven't come across any issues or downsides so i can only say good things about the sound and production quality - perfect release!

Johannes WinklerComposer (Dogs, Someone Like Me)